tag:blogger.com,1999:blog-19728384726280595982024-03-13T03:40:18.308-04:00COMMUNICATIONS UPDATE CAST IRON TV
A weekly artists' TV series, Manhattan Cable
Public Access Channel D, 1979 to c.1991.Unknownnoreply@blogger.comBlogger29125tag:blogger.com,1999:blog-1972838472628059598.post-71532812797704858892021-07-04T23:44:00.007-04:002021-07-05T00:58:06.759-04:00All Aboard: A Survey of Incentives and Impediments to Public Channel Usage by New York Artists and Fellow Travelers by Liza Béar<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9btDw0gz1BUKtFGAjhNekF8qRoW9DXDa9afeg5M70QSWoC5vLgOOeOoJanENGZcXyQz0nJF2OuzJbS2fpHHxKUXD2YsIKGCifkKdL21OT6CK67EGCKioIP37SCr3hIm4AOyUlG_ojKnM/s1618/Independent_0383_LBear_AllAboard+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1618" data-original-width="1210" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9btDw0gz1BUKtFGAjhNekF8qRoW9DXDa9afeg5M70QSWoC5vLgOOeOoJanENGZcXyQz0nJF2OuzJbS2fpHHxKUXD2YsIKGCifkKdL21OT6CK67EGCKioIP37SCr3hIm4AOyUlG_ojKnM/w299-h400/Independent_0383_LBear_AllAboard+1.jpg" width="299" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="1612" data-original-width="1218" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_xzNpl2_m26lo_ae2yGAMoz_vXZfoUdyJMT1U3yztzjLWYbdruV32xE1EN4qPpVlK_h-xo4lD5-R2gZRtKYoFLIs1eWkHUHXNTrrsBpFEl79iEAGAQEDphNbM-A-g07eJx7UcZZScwKQ/w303-h400/Independent_0383_LBear_AllAboard+6.jpg" width="303" /></a></div><br /><h2><br /></h2><br /><div class="separator" style="clear: both; text-align: left;"><br /></div><br />MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-75425957894067683092014-10-24T23:42:00.001-04:002014-10-24T23:46:23.758-04:00Vicky Gholson [Dr G] February 12 1950 - October 14 2014: Life Celebration <iframe width="560" height="315" src="//www.youtube.com/embed/YBwosxHInt4" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-7462275475642655962013-07-25T16:56:00.004-04:002013-08-15T11:59:20.488-04:001980 The Slits "They're Fucking On Your Head"<div class="separator" style="clear: both; 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<span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;">1980 Set design by artist Michael McClard, Liza Béar's partner,</span><span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;"> for talk part of program at the 93 Grand Street ad hoc studio in the early shows. Michael also made a colored pastel map of the world for the backdrop. A gigantic scoop light probably found on the street was placed on the floor for low-angle light, and most likely not hung from the sprinkler pipes. [<i>Check with Michael]</i></span><br />
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<span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>Note: The scoop light was used to light Hannah Schygulla whom Lindzee Smith brought to 93 Grand. We haven't yet found the schedule with that program.</i></span><br />
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<span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;">The first two years most segments were shot on location </span><span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;">in New York</span><span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;">, rather than in studio--except for a few trips out of town: ie the Annenberg Conference in or near Philadelphia to shoot the New World Information Order programs. Dee Dee Halleck was one of the interviewers on NWIO.</span><br />
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<span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;">We also got a drive-away car from New York to Miami to shoot Bob Cooper's satellite TV convention, a gathering of fiberglass sailboat manufacturers turned satellite dish manufacturers. My former Avalanche partner Willoughby Sharp came to Miami with us in the drive-away car and acted as one of the interviewers. Other artist contributions were mostly from New York, with two programs from Zagreb artists and one from New Orleans.</span><span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;"></span><br />
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<span class="Apple-style-span" style="color: #990000; font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="background-color: #9fc5e8; font-size: large;">Michael was series co-producer in 1980 and 1981 which meant helping plan the series and doing camera work or sound with me. We were both members of the video coop</span></span><span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;"></span><br />
<span class="Apple-style-span" style="color: #990000; font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="background-color: #9fc5e8; font-size: large;">of 12 artists that had been set up through CNAA, Inc. (See TOOLS below.</span></span><span class="Apple-style-span" style="background-color: #9fc5e8; color: #990000; font-family: Arial, Helvetica, sans-serif; font-size: large;"></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>Michael McClard </b></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>Ari Up, The Slits</b></span></td></tr>
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<span class="Apple-style-span" style="background-color: yellow; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b>The Slits: Ari Up, Viv Albertine, Palm Olive, Don Letts "They're Fucking on Your Head" rehearsal at Tier 3, New York, 1980. Excerpt screened on C-Update. Courtesy The Slits and Lindzee Smith.</b></span><br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-69811074044178876062013-07-24T19:55:00.000-04:002013-08-04T15:10:13.330-04:00Dee Dee Halleck: Herb Schiller Reads The New York Times 1981<br />
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<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">Filmmaker and media activist </b></span><br />
<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">Dee Dee Halleck was a supporter, consultant and early and frequent contributor</b></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace;"><b style="background-color: white;">to </b></span><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace;"><b style="background-color: white;"><u>Communications Update</u> </b></span><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace;"><b style="background-color: white;">before she founded </b></span></span><br />
<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;"><u>Paper Tiger TV</u> (1981), <u>Deep Dish TV</u> (1986) and raised start-up </b></span><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">funds (see below for details) for <u>Democracy Now (date TK).</u> </b></span><br />
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace;"><b style="background-color: white;">In the first 1980 series, Dee Dee was guest host for the program LOW POWER TV at the 93 Grand street </b></span><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace;"><b style="background-color: white;">studio <i>(with Molly aged 3-4 months--scroll way down for video clip)</i> and interviewed Parry Teasdale, consultant </b></span><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace;"><b style="background-color: white;">to the FCC, about his experience of low power TV at Media Bus/Lanesville following a report on its potential for "communities of interest".</b></span></span><br />
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<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">As per </b></span><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">archival schedule above,</b></span><span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;"> C-Update 1980 second series, Dee Dee produced:</b></span><br />
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<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">ANTS and ELEPHANTS</b></span></div>
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<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">EDDIE BECKER'S WASHINGTON</b></span></div>
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<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">LESS THAN MOM & POP</b></span></div>
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<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: white;">all cablecast in November 1981.</b></span></div>
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<span class="Apple-style-span" style="color: red; font-family: 'Courier New', Courier, monospace; font-size: large;"><b><i>Dee Dee was president of AIVF (Association of Independent Video and Filmmakers) from 1978 to circa 1981. She founded The Independent and hired Ardele Lister to be its first editor.</i></b></span></div>
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<span class="Apple-style-span" style="background-color: blue; font-size: large;"><span class="Apple-style-span" style="font-family: arial, sans-serif;">I</span><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">n a July 28, 2013 e-mail to LB, Dee Dee writes:</span></span></div>
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<span class="Apple-style-span" style="background-color: blue; font-family: Verdana, sans-serif; font-size: large;">"The first Deep Dish series was in 1986 and we did series every year after that. The network of downlink channels averaged around 200, including Boston, Chicago, San Francisco, Tucson, Denver and many other major cities.</span></div>
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<span class="Apple-style-span" style="border-collapse: collapse; color: #222222;"><span class="Apple-style-span" style="background-color: white; font-family: Verdana, sans-serif; font-size: large;">My role in Democracy Now was to turn the radio program into a television program and lease the satellite for distribution (which ended up being a lot more radio stations in addition to the cable access and community stations.)"</span></span><span class="Apple-style-span" style="border-collapse: collapse; color: #222222; font-family: arial, sans-serif;"></span><br />
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<span class="Apple-style-span" style="background-color: yellow; border-collapse: collapse; color: #222222; font-family: arial, sans-serif;"><b>For Deep Dish TV and Democracy Now and Dee Dee's blogs, got to LINKS.</b></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-89293251176700684922013-07-24T19:15:00.001-04:002013-08-12T16:35:47.513-04:00Crime Tales 1982 by Robert Burden and Dictelio Cepeda<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">New York-- "On location in Union Square: hard facts and hard humor about a hard way of life" was, according to records, the tag line provided by video makers Robert Burden and Dictelio Cepeda. This exceptional documentary--a first work by the partners-- was made as a program segment for the Spring 1982 series of Communications Update, and subsequently shown at the Kitchen (February 1983), at the Jon Leon Gallery (June 1983), </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">at Mr Dead and Mrs Free's Café (July 1983),</span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> and at The Museum of Modern Art (November 1983). Directed and graphic design by Dictelio Cepeda, camera and editing by Robert Burden. Music by E.J. Rodriguez. </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Note: </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>Robert Burden was a brilliant editor who had worked with me on the subtitles for Oued Nefifik: A Foreign Movie, moonlighting at NVI where he worked. LB</i></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Squat Theatre 256 West 23rd Street New York</span></td></tr>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-80408425490719076662013-07-21T01:11:00.000-04:002014-07-02T11:18:49.799-04:00 George C. Stoney, Documentary Filmmaker and Media Activist 1916-2012<span class="Apple-style-span" style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">NEW YORK--</span> <span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">George Stoney, a seminal documentary filmmaker, media activist and teacher championed the use of public access television since its inception. He believed it was about more than access--that films should change situations and help build community. He passed away on July 12 2012 in his New York apartment shortly after his 96th birthday party at the Puleston estate in Brookhaven, Long Island, an annual celebration hosted by Betty Puleston, George's long time companion, and attended by relatives, friends and George's NYU film school students and colleagues on the faculty. </span></span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif; font-size: large;">Note:<i> In the early days of Public Access, George's cable TV show "NYU Presents" </i></span><span class="Apple-style-span" style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><i>was pre-empted for </i></span><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i>a commercially-sponsored program on baby foods. </i></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Photo: Liza Béar, June 2012, Brookhaven LI</span></td></tr>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-62321456589429032642013-07-19T14:45:00.000-04:002013-07-26T18:12:03.995-04:00The Algiers Killings by Janet Densmore<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Produced for the Communications Update, </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Spring 1981, series</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Eye-witness testimony of a grand jury case</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">involving killings by police in New Orleans' </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">black community. This documentary program </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">was initially shown on C-Update in October 1981</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">following censorship in New Orleans. Some of</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Densmore's original footage was incorporated</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">into a CBS 60 Minutes treatment of the story</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">a year and a half later.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Screening Dates:</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">October 1981 C-Update, MCTV, New York City</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">January 1982 The Kitchen, Video Viewing Room</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Fall 1982 PBS Station, Houston, Texas</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">May 1983 Art Expo Chicago</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">May 1983 The Museum of Modern Art</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-vDcTuRp3uA-xTssQFV-Z9qzfh6DCg1M2DYqFgmzgDvJ965P5GYcarKUEr-kTjYRjokHuSf6zHYmYku53n_KVwVUHwy4ZUL7fodADIAnYSq_URp3cjygNSuhmMH8Be2z1EwBR7QYu-hU/s1600/Densmoreletter02006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-vDcTuRp3uA-xTssQFV-Z9qzfh6DCg1M2DYqFgmzgDvJ965P5GYcarKUEr-kTjYRjokHuSf6zHYmYku53n_KVwVUHwy4ZUL7fodADIAnYSq_URp3cjygNSuhmMH8Be2z1EwBR7QYu-hU/s1600/Densmoreletter02006.jpg" /></a></div>
MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-33628503199308253112013-07-19T14:28:00.001-04:002013-08-02T02:17:23.715-04:00Instructions to Producers and First Draft of Schedule for Communications Update 1982 Spring Series<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdh5TailLd37WqLP8RtUKyIS5F8x3knQTPATrFbUhdD1WIHEpvzI8DgwbzIgb6VYv41_Rwo85QRScWpCder3dpdxyxwu7DLR7jTcIEEw6YJ05O7TP5Mq-t1ZGegGXnrjC3xZKKbfeS6DE/s1600/LB_C_UpdateInstructionsA.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdh5TailLd37WqLP8RtUKyIS5F8x3knQTPATrFbUhdD1WIHEpvzI8DgwbzIgb6VYv41_Rwo85QRScWpCder3dpdxyxwu7DLR7jTcIEEw6YJ05O7TP5Mq-t1ZGegGXnrjC3xZKKbfeS6DE/s640/LB_C_UpdateInstructionsA.jpg" width="388" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqjgXV6uKwOFyGX0BXP-x9dJCv5V9tjY0CtwTBgIDXimLskUWZp58MHU7N9rULyIW3kGQbLybAaaPJnw2jeulV-ckRycTpLLfoEvfsP8GcqJ7jadla-CwOEGQdWCm7RXGpqyH-pjjZtDE/s1600/LB_C_UpdateIntstructionsB.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqjgXV6uKwOFyGX0BXP-x9dJCv5V9tjY0CtwTBgIDXimLskUWZp58MHU7N9rULyIW3kGQbLybAaaPJnw2jeulV-ckRycTpLLfoEvfsP8GcqJ7jadla-CwOEGQdWCm7RXGpqyH-pjjZtDE/s640/LB_C_UpdateIntstructionsB.jpg" width="384" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEityITYpU6x2HoouPKgOzjfbtykxZq4R3EvQKg1N5W3XcLNpLaaHZ5jtu8zMNI-VPoWv8ou-2oHByD1oFv8hRckJah-Tt1fHwOTY5FoM7uwak7-BCsObqQZ7Q4HaqPC0qBedY6w2m9Yk24/s1600/LB_C_UpdateInstructionsC.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEityITYpU6x2HoouPKgOzjfbtykxZq4R3EvQKg1N5W3XcLNpLaaHZ5jtu8zMNI-VPoWv8ou-2oHByD1oFv8hRckJah-Tt1fHwOTY5FoM7uwak7-BCsObqQZ7Q4HaqPC0qBedY6w2m9Yk24/s640/LB_C_UpdateInstructionsC.jpg" width="388" /></a></div>
<br />MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.com0tag:blogger.com,1999:blog-1972838472628059598.post-47067597648697683932013-07-19T13:50:00.003-04:002013-08-02T02:16:21.236-04:00Polisario Front : An interview with Abdullah Madjid by Liza Béar<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-pdxkRZ0ZrfExpNRHAj9CpSpUItuFUcIGDIBjs9nqf_3DqEYOlstIatgmYjvRFMGmxdgJvzlzgkS0doKElZdx06APEFzn_FOSVWdA-qGn1pNU2LUcOBLPJ65VbR0mZ5nPhE1pr8vszk0/s1600/PolisarioFlyer.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-pdxkRZ0ZrfExpNRHAj9CpSpUItuFUcIGDIBjs9nqf_3DqEYOlstIatgmYjvRFMGmxdgJvzlzgkS0doKElZdx06APEFzn_FOSVWdA-qGn1pNU2LUcOBLPJ65VbR0mZ5nPhE1pr8vszk0/s400/PolisarioFlyer.jpg" width="242" /></a></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Produced for the Communications Update,</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Spring 1981, series</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">An interview with Abdullah Madjid,</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">representative for the Western Sahara territories</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">at the United Nations (exact title to be</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">checked on tape) by Liza Béar.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVdiQEUa9MAqYpbfXmhPbEfz2n5csKYugxK9pjahflS0AvgNFc7HxCN91LcNt6sTnK9tlB-e425IUZOwFWsIuP_gS0bCwTZpQb3nSYOXhWU_B0zZ-7zNbS_CvOr04gS-d4UmXJUg_Bv2U/s1600/Polisario_Text_500.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVdiQEUa9MAqYpbfXmhPbEfz2n5csKYugxK9pjahflS0AvgNFc7HxCN91LcNt6sTnK9tlB-e425IUZOwFWsIuP_gS0bCwTZpQb3nSYOXhWU_B0zZ-7zNbS_CvOr04gS-d4UmXJUg_Bv2U/s640/Polisario_Text_500.jpg" width="384" /></a></div>
<br />MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.com0tag:blogger.com,1999:blog-1972838472628059598.post-88834039098471124322013-07-19T13:39:00.000-04:002013-08-02T23:23:42.180-04:00Poster : Spring 1982 Series Screening at The Kitchen<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgggv46xiMbf6TLz6uk91uYYr5nYXPaPSokgXjTXlCgDB-KEh9kWxN1XCcnSzmgHtvmxb0CQmAaUlg-iIFJwWZW9bPZtBSDVcz65a_dLr1VtTZDfAkqUjnR5lv5Toe7DsWJd_k9gHnzYbk/s1600/C_Update1982Kitchen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="411" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgggv46xiMbf6TLz6uk91uYYr5nYXPaPSokgXjTXlCgDB-KEh9kWxN1XCcnSzmgHtvmxb0CQmAaUlg-iIFJwWZW9bPZtBSDVcz65a_dLr1VtTZDfAkqUjnR5lv5Toe7DsWJd_k9gHnzYbk/s640/C_Update1982Kitchen.jpg" width="640" /></a></td></tr>
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<span class="Apple-style-span" style="background-color: black; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span class="Apple-style-span" style="background-color: black; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">At the time, 1983, The Kitchen was located on Broome Street in SoHo. Robert Stearns may still have been</span></div>
<div style="text-align: left;">
<span class="Apple-style-span" style="background-color: black; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">director before he relocated to Ohio. (datesT K ) The Kitchen administered the invaluable Media Bureau which, provided funds--very small amounts--fairly fast with a minimum of paperwork. for video production. Eric Bogosian ran the Media Bureau. for a while (dates TK)</span></div>
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MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.com0tag:blogger.com,1999:blog-1972838472628059598.post-1608446413336432562013-07-13T16:15:00.001-04:002014-05-07T21:46:43.498-04:00Communications Update at New Museum<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Liza Béar and Milly Iatrou present segments from Communication Update's Spring 1982 series at </span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><a href="http://www.newmuseum.org/calendar/view/liza-bear-milly-iatrou-communications-update" target="_blank">New Museum</a> </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">including "The Very Reverend Deacon b. Peachy," "A Matter of Facts," "Crime Tales" and "Lighter Than Air." </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHD2zS8bvwfjMKghbD34rbWcsoN8GBbMqsXuzSLo77H3aLbfIlD3nxHn1mbZ5Ihyz0_HXwl7oJbRB5YE0tmEdTkM3oipkwBdtbtW8Ik8HymLh4SXM_0ETSPRwaZ8FxiYlWtcL_ojDG00M/s1600/LighterThanAir_still01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHD2zS8bvwfjMKghbD34rbWcsoN8GBbMqsXuzSLo77H3aLbfIlD3nxHn1mbZ5Ihyz0_HXwl7oJbRB5YE0tmEdTkM3oipkwBdtbtW8Ik8HymLh4SXM_0ETSPRwaZ8FxiYlWtcL_ojDG00M/s200/LighterThanAir_still01.jpg" height="133" width="200" /></a></div>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Mark Magill</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i>Lighter Than Air,</i> 1982</span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">by Mark Magill</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br />
A scientific comedy on helium, buoyancy,</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">nuclear fusion and lighter than air travel.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglZr0v0PIiK3krOwOGoQQfzyuwZDsYP61NgUXwSuJg19O9n46XkCCZbD40SXCkzceb8z10kRIue4lS22i0W20SwgCCk-YCRNP3Zp950Du5kDLHI9JUiKxmHWCoSX2J0VGqkz0DSSvIiiE/s1600/CrimeTales_still01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglZr0v0PIiK3krOwOGoQQfzyuwZDsYP61NgUXwSuJg19O9n46XkCCZbD40SXCkzceb8z10kRIue4lS22i0W20SwgCCk-YCRNP3Zp950Du5kDLHI9JUiKxmHWCoSX2J0VGqkz0DSSvIiiE/s200/CrimeTales_still01.jpg" height="133" width="200" /></span></a></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">still from</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i>Crime Tales,</i> 1982</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">by Robert Burden and Dictelio Cepeda</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">On location in Union Square, New York: hard facts </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">and hard humor about a hard way of life, Music by </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">E.J. Rodriguez.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcXC_QFEj2tNA_ecmrJGxvuCdqEa893xxYuwvqtdy0FdT1-Qxot_aihWqMAMbYhjYDQuaYNmO3yFEObfion32DhcwQEoEcr57ZtBtTGqtTdOreSTAyz2aAXfVdxHqvVFaQjDyCt0g7AMI/s1600/AMoFHiRes04.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcXC_QFEj2tNA_ecmrJGxvuCdqEa893xxYuwvqtdy0FdT1-Qxot_aihWqMAMbYhjYDQuaYNmO3yFEObfion32DhcwQEoEcr57ZtBtTGqtTdOreSTAyz2aAXfVdxHqvVFaQjDyCt0g7AMI/s200/AMoFHiRes04.jpg" height="146" width="200" /></span></a></div>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Stephan Balint and Boris Major</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i>A Matter of Facts, </i>1982</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">by Eric Mitchell</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">in collaboration with Squat Theatre</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Starting with a scene from Squat Theatre's <i>Mr Dead and </i></span><i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Mrs Free</i><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">, </span><i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">A Matter of Facts </i><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">draws a parallel narrative which </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">follows the characters into real life.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiTOUN3ZvGFoL-F6CiKty74QCJAu8dnQJfUqtrssKFLxdyZUvswvYH5Q24qpDyKSkBbnbA63fgN3alFBuoVLQ1wuxIVcUZ4Vtc8tWjarfgXboOMF_zJbjGm0p4gav6nnJ9SSz12jsGSi8/s1600/Peachy01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiTOUN3ZvGFoL-F6CiKty74QCJAu8dnQJfUqtrssKFLxdyZUvswvYH5Q24qpDyKSkBbnbA63fgN3alFBuoVLQ1wuxIVcUZ4Vtc8tWjarfgXboOMF_zJbjGm0p4gav6nnJ9SSz12jsGSi8/s200/Peachy01.jpg" height="135" width="200" /></span></a></div>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Ronald Morgan</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i>The Very Reverend Deacon b. Peachy</i>, 1982</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">by Iatrou and Morgan</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">A satire of tele-evangelism. The Very Reverend and </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Sister Mary Lola in this first episode of an on-going saga.</span><br />
<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br /></span>
<span style="color: red; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b style="background-color: yellow;">A 60-minute version of this program is now running on Monitor B in the Fifth Floor resource room of the New Museum. It will continue to play for a week through next Thursday. Museum admission is FREE on Thursdays from 7 to 9 pm.</b></span></div>
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MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-70386825132710440172012-03-12T00:50:00.010-04:002012-03-17T18:12:23.710-04:0030th Anniversary: The Very Reverend Deacon b. Peachy<div><span class="Apple-style-span" style="line-height: 18px;font-family:'lucida grande', tahoma, verdana, arial, sans-serif;font-size:7;"><span class="Apple-style-span" style="color:#ffffff;">March 10, 2012, marked the 30th anniversary of The Very Reverend Deacon b. Peachy's first broadcast on Communications Update. We will commemorate the occasion by sharing excerpts</span><a href="http://www.youtube.com/user/iatroumorgan?feature=watch"><span class="Apple-style-span" style="color:#ffff33;"> on the Iatrou and Morgan channel</span></a><span class="Apple-style-span" style="color:#ffff66;">.</span></span></div>MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.com0tag:blogger.com,1999:blog-1972838472628059598.post-76052654465054510482012-02-03T23:26:00.004-05:002013-08-01T16:49:09.103-04:00C-Update 1980 Series 1: Excerpts<div class="separator" style="clear: both; text-align: center;">
<span class="Apple-style-span" style="background-color: yellow; color: #cc0000; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: large;"><br /></span></div>
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<span class="Apple-style-span" style="background-color: yellow; color: #cc0000; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: large;">BLOGGER TECH ISSUES RE-UPLOADING.</span></div>
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<span class="Apple-style-span" style="background-color: yellow; color: #cc0000; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: large;">For video excerpts go to LINKS</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn5nXTNRMc61Oj5pwKxLc63Fm87V67pIeOI823t9v3s4NBOPvh428IjopdOazt43V60fEnPf4m_JfNGFBYF6MLydLZMj2psJPDsOuM4B2n9LAgSQZ2MHFTtCQeE7Ai2KmcAjUzPCaWEi0/s1600/TinaLhotsky02.JPEG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn5nXTNRMc61Oj5pwKxLc63Fm87V67pIeOI823t9v3s4NBOPvh428IjopdOazt43V60fEnPf4m_JfNGFBYF6MLydLZMj2psJPDsOuM4B2n9LAgSQZ2MHFTtCQeE7Ai2KmcAjUzPCaWEi0/s400/TinaLhotsky02.JPEG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="color: #9fc5e8; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b style="background-color: black;">Tina L'Hotsky in <u>Hollywood Past and Future</u> 1980</b></span><br />
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<span class="Apple-style-span" style="color: #9fc5e8; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b style="background-color: black;">Program segments: an onsite demo of MCA's Discovision videodisc;</b></span></div>
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<span class="Apple-style-span" style="color: #9fc5e8; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b style="background-color: black;">Actress/filmmaker Tina L'Hotsky gives her version of New Wave history</b></span></div>
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<span class="Apple-style-span" style="color: #9fc5e8; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b style="background-color: black;">and talks about making Woody Allen movies and her own Super 8.</b></span></div>
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<a href="http://www.youtube.com/watch?v=Z8lQF7Rz-bA">http://www.youtube.com/watch?v=Z8lQF7Rz-bA</a></div>
<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-85906066442683216482011-07-17T14:38:00.007-04:002011-07-17T16:58:00.655-04:00Press Release for C-Update show at The Kitchen, 1983<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNi62iso4BtMJgwkjMtACEm_Q_PB_tLzTuYkOe7SJPeX4TeoyiKCMyZ6GAKkcsGIA_445JgcGjsfEcwccheT-6Ym4YfpnclGopL62VW7uVt9iztKDeP53wxX37nbKoG7j6m3dYBEyBYjQ/s1600/scan+staples_vert1000.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5630426008407426866" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNi62iso4BtMJgwkjMtACEm_Q_PB_tLzTuYkOe7SJPeX4TeoyiKCMyZ6GAKkcsGIA_445JgcGjsfEcwccheT-6Ym4YfpnclGopL62VW7uVt9iztKDeP53wxX37nbKoG7j6m3dYBEyBYjQ/s400/scan+staples_vert1000.jpg" style="float: left; height: 400px; margin: 0pt 10px 10px 0pt; width: 243px;" /></a><br />
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<b style="color: yellow;"><span style="font-family: Verdana,sans-serif;">Click twice on image for maximum size.</span></b></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-59049132365438037322011-07-02T16:15:00.007-04:002021-07-05T20:52:45.075-04:00Crime Tales by Robert Burden/Dictelio Cepeda, 1982, excerpt<div style="color: yellow;">
<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: medium;">from the Communications Update, Spring 1982, series</span></span></div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxsML5XBgp_ZII84Zie7InQHiIgbRTsrqJpdnF05r-JaPQo0tq80dggyIFZq1AdprSL2-1hpEXa27jzN84ODw' class='b-hbp-video b-uploaded' frameborder='0'></iframe>MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.com0tag:blogger.com,1999:blog-1972838472628059598.post-89776994619647461912011-07-02T15:16:00.019-04:002013-07-22T10:59:30.269-04:00Lighter Than Air by Mark Magill, 1982, excerpt<span class="Apple-style-span" style="font-size: medium;">from the Communications Update, Spring 1982, series</span><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxfJ_sfHm-9OjahDH-CLXNryEHo_wpLG58zx-Mqnv8_eNCbf8-mCp8Z_rZuEqdHdg_JUiGn5LqhtoqO6E984g' class='b-hbp-video b-uploaded' frameborder='0'></iframe><br />
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<span class="Apple-style-span" style="color: blue; font-family: 'Courier New', Courier, monospace; font-size: large;"><b style="background-color: yellow;">For Mark Magill's Theory of Ideas, </b></span><br />
<span class="Apple-style-span" style="background-color: yellow; color: blue;"><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: large;"><b>also shown on </b></span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: large;"><b>C-Update, see LINKS.</b></span></span>MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-4201641573298341992011-06-04T21:08:00.010-04:002013-08-02T00:13:37.018-04:00The Very Reverend Deacon b. Peachy: Episode One, March 1982, excerpt<div>
<span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="color: yellow;">from the Communications Update, Spring 1982, series</span></span></div>
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxeSnl9Mgn4u5yY86NjlucAXTfXAYPbUmXPxLs93dusZP8_yYl-O7DfXyIeTXUUEluSPA-GFw6i7GwURsfCmQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe>MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.com1tag:blogger.com,1999:blog-1972838472628059598.post-69305555889294930932011-04-10T22:21:00.018-04:002013-08-04T23:48:26.776-04:001985: The New York Times on CITV<span class="Apple-style-span" style="color: #333333; font-family: georgia,'times new roman',times,serif; font-size: 10px; line-height: 15px;"></span><br />
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<span class="Apple-style-span" style="color: #333333; font-family: georgia,'times new roman',times,serif; font-size: 10px; line-height: 15px;"><span class="Apple-style-span" style="color: white; font-family: arial;"></span></span></div>
<span class="Apple-style-span" style="color: #333333; font-family: georgia,'times new roman',times,serif; font-size: 10px; line-height: 15px;"><span class="Apple-style-span" style="color: white; font-family: arial;"><div style="font: 15px Arial; margin: 0px;">
<span class="Apple-tab-span" style="white-space: pre;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"> </span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">“The series was launched in 1979 by the video producer Liza Bear under the title of ''Communications Update,'' its territory the exploration of issues in telecommunications and related technology. In 1983, the program was somewhat fancifully rechristened to reflect its changing orientation as a forum for experimental video makers.</span></span></div>
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<span class="Apple-tab-span" style="white-space: pre;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"> </span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">According to Milli Iatrou, who took over as the series' executive producer in 1984, ''Cast Iron TV'' has now presented about 100 different programs. ...</span></span></div>
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<span class="Apple-tab-span" style="white-space: pre;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"> </span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">Most of them share a playful street- smartness and a deep affinity for the textures of life in New York City. Their looseness of form and less-than- lavish production values are frequently used for purposeful effect, to provide an ironic commentary on commercial television's glossiness and tired formulas. ...</span></span></div>
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<span class="Apple-tab-span" style="white-space: pre;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"> </span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">The series features not only productions that ''Cast Iron'' commissions but previously existing video works as well, most of which are brought to Miss Iatrou's attention by word of mouth. A ''core group of five or six'' video artists contributes regularly to the series' original productions, Miss Iatrou said, ''with everyone working in several capacities.'' ...</span></span></div>
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<span class="Apple-tab-span" style="white-space: pre;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"> </span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">Over the years, several of the productions that originated on ''Cast Iron TV'' have been shown in video festivals held in Bonn, Bologna and The Hague, as well as at the Museum of Modern Art. The latest tribute to the series came earlier this year when the American Museum of the Moving Image, the film archives located in the Kaufman Studios in Astoria, Queens, screened four ''Cast Iron TV'' segments.</span></span></div>
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<span class="Apple-tab-span" style="white-space: pre;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"> </span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">''We try to show things that are experimental in form or content, but which are accessible as well,'' Miss Iatrou explained. Accessibility, however, is somewhat inhibited by the extremely limited budget on which the series operates - ''the toughest thing we have to deal with,'' she said. A half-hour of ''Cast Iron TV'' typically costs $500 to produce, with some of the segments coming in for as little as $200. Grants from the New York State Council on the Arts have helped defray production costs.”</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">Source: "CABLE TV NOTES: Experimentation Shapes Cast Iron TV", Steve Schneider, New York Times, April 14, 1985</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span">for full article see PRESS on horizontal menu bar</span></span></div>
</span></span>MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-58040869626020483212011-04-09T20:34:00.007-04:002011-04-11T23:07:36.225-04:00The Cable Review Lounge<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC_-2WE44rDA6_s_xBmYYzuxMX9usDeRa1UzEp07ERWGeBMBXwFlKCBGn7_N1Zm_obPpUfPOMzzoaw-FTeiuGb5e6FPJQY4Mi9j-i6ndoDliElLMlQaa2f4Yt06xflRe_jOx7uEiwdr8A/s1600/TheKITCHEN_FEB83.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5593747982853288482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC_-2WE44rDA6_s_xBmYYzuxMX9usDeRa1UzEp07ERWGeBMBXwFlKCBGn7_N1Zm_obPpUfPOMzzoaw-FTeiuGb5e6FPJQY4Mi9j-i6ndoDliElLMlQaa2f4Yt06xflRe_jOx7uEiwdr8A/s400/TheKITCHEN_FEB83.jpg" style="cursor: pointer; float: right; height: 400px; margin: 0pt 0pt 10px 10px; width: 307px;" /></a><br />
<div style="font: 12px Helvetica; margin: 0px;"><span class="Apple-style-span" style="font-family: arial;">In 1983 THE KITCHEN created THE CABLE REVIEW LOUNGE which, "was conceived as a bi-monthly get-together for people interested in artist-produced cable programming.</span></div><div style="font: 12px Helvetica; margin: 0px;"><span class="Apple-style-span" style="font-family: arial;">Cable Review will serve three purposes: to enable people who previously have been unable to view the programs to see them, to provide an opportunity for various cable producers to discuss developments in cable, and to introduce people to public access television."</span></div><div style="font: 12px Helvetica; margin: 0px; min-height: 14px;"><span class="Apple-style-span" style="font-family: arial;"><br />
</span></div><div style="font: 12px Helvetica; margin: 0px;"><span class="Apple-style-span" style="font-family: arial;">Participating shows included:</span></div><div style="font: 12px Helvetica; margin: 0px;"><i><span class="Apple-style-span" style="font-family: arial;">Paper Tiger</span></i></div><div style="font: 12px Helvetica; margin: 0px;"><i><span class="Apple-style-span" style="font-family: arial;">Cast Iron TV</span></i></div><div style="font: 12px Helvetica; margin: 0px;"><i><span class="Apple-style-span" style="font-family: arial;">Artists Television Network</span></i></div><div style="font: 12px Helvetica; margin: 0px;"><i><span class="Apple-style-span" style="font-family: arial;">Potato Wolf / Fresh Potatoes</span></i></div><div style="font: 12px Helvetica; margin: 0px; min-height: 14px;"><span class="Apple-style-span" style="font-family: arial;"><br />
</span></div><div style="font: 12px Helvetica; margin: 0px;"><span class="Apple-style-span" style="font-family: arial;">Source: KITCHEN press release, "Cable Review Lounge", MaryAnne McGowan,1983</span></div>MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-9513826352608287092011-04-05T18:43:00.003-04:002011-04-10T22:20:46.375-04:00Cast Iron TV: Programs<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6ryZ_d8YQrlCaqNJsHKWjzLBTD2IPVeuhyKHmkOl_jcrk-LX4UegwBAElL7j-6odpHcEWB0Ib8vUErZSnACyNmzlYiUL112Q3WlsiNi8ooGh7DJiGZ6Y0ZtC9SxrOQ-K2-AhZPG4q0U/s1600/citv_windows83_full.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5592234045612920178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6ryZ_d8YQrlCaqNJsHKWjzLBTD2IPVeuhyKHmkOl_jcrk-LX4UegwBAElL7j-6odpHcEWB0Ib8vUErZSnACyNmzlYiUL112Q3WlsiNi8ooGh7DJiGZ6Y0ZtC9SxrOQ-K2-AhZPG4q0U/s400/citv_windows83_full.jpg" style="cursor: pointer; float: right; height: 400px; margin: 0pt 0pt 10px 10px; width: 198px;" /></a><br /><div style="font: 12px Arial; margin: 0px;"><i><span class="Apple-tab-span" style="white-space: pre;"> "</span>Cast Iron TV (</i>which airs Wednesdays at 7:30 on Manhattan Cable and Group W’s channel D) has a broad range of styles and concerns, from documentary to abstract narrative. The series has featured an interview with a Polisario representative from the Sahara, explored the implications of world satellite regulation, raised questions about police responsibility for the death of artist Michael Stewart, and parodied religious fund-raising shows.</div><div style="font: 12px Arial; margin: 0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>The Reverend Peachy has appeared in five segments ... Among other things, the Reverend has tackled the topic of artists’ housing, pointing out little-known architectural features such as aerobic stairs and multipurpose sinks (good for washing paint brushes, dishes and faces). Appropriately, producers Millie Iatrou and Ron Morgan shoot the Peachy segments on Beta equipment in their own apartment. ... The series, now coordinated by Iatrou, has run over the years on a shoestring budget of $200 per show, and the individual producers generally recruit their own volunteer crews.</div><div style="font: 12px Arial; margin: 0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Like several of the New York artist-run series, <i>Cast Iron</i> occasionally airs alternative programming from abroad. Last summer it picked up a BBC “access” show which indicted racism on English TV. ... Another program, by documentarians David Pentecost and Lyn Tiefenbacher, explored the relationship of deforestation and the cultural survival of Mayan Indians."</div><div style="font: 12px Arial; margin: 0px; min-height: 14px;"><br /></div><div style="font: 12px Arial; margin: 0px;">Source: “Artists Gain Access to Cable”, Kathleen Hulser, Videography, Vol. 10, No. 1, January 1985</div><div><br /></div><div><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#FF6600;">For more schedules see PAGES.</span></span></span></div>MillyIatrouhttp://www.blogger.com/profile/18410950245930440617noreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-28489763067589300182011-04-05T01:24:00.003-04:002021-07-05T21:20:57.059-04:00Send No Money Now!<div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxYhdet0YUwqQMdM6PYUpTPE9WePf5l3OcVbQPkGkS8evJVGjNokgU6IhykqrNtCvCyG-x3tttIfj15P4VNDQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><span class="Apple-style-span" style="color: white;"><br /></span><br />
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<span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="color: white;">"There's something I wanna say to you right now and I wanna close-up for this. And I mean this sincerely. Don't send any money right now, okay? Send not a penny. You may wanna send money to me because that's the kind of thing you've learned to expect from a religious show such as this. You know, you get the bible, and you get the prayers, and you get all that </span><i><span class="Apple-style-span" style="color: white;">stuff</span></i><span class="Apple-style-span" style="color: white;">, but they want you to send money now. In fact, we're gonna flash something on the screen, right now that's gonna say, </span><i><span class="Apple-style-span" style="color: white;">Send no money now. </span></i><span class="Apple-style-span" style="color: white;">Okay, now take a look at that."</span></span></div>
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<span class="Apple-style-span" style="font-size: 100%;"><span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="color: white;">The Very Reverend Deacon b. Peachy's Quarter Hour plus Thirteen Minutes</span></span></span></div>
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<span class="Apple-style-span" style="font-size: 100%;"><span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="color: white;">Part One: A Minor Retrospection</span></span></span></div>
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<span class="Apple-style-span" style="font-size: 100%;"><span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="color: white;">Iatrou/Morgan, 1982, </span></span></span><span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="color: white;">28 min.</span></span></div>
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Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-74492525526212721962011-04-03T16:28:00.002-04:002011-04-10T22:03:48.499-04:00C-Update Spring Series 1982<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIXrBuwaGNF0Qnu97Cn8gi7yhGuAPkw36zW3zKSK4-ura3JKblwJFSXQDYMKbSGhMTXNTOzuy_7AphPnAx07jlgMXGRHIjW1mZPQwkC-7VjbjFu1UCcRtKq8IGWKifsjLI6PfdbEsOoJ8/s1600/Com.Update+both.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 244px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIXrBuwaGNF0Qnu97Cn8gi7yhGuAPkw36zW3zKSK4-ura3JKblwJFSXQDYMKbSGhMTXNTOzuy_7AphPnAx07jlgMXGRHIjW1mZPQwkC-7VjbjFu1UCcRtKq8IGWKifsjLI6PfdbEsOoJ8/s400/Com.Update+both.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5594140766094436450" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim8czcFI_6NjNu0a99UG2GzOkSTBqiU5qJUlsUozeWXsleOPTJlmQfg3p_ws6hc-Llj-iK-feZwDhyphenhyphengg7AAOHUmiASWwnQZ-v4rRe6QO2gLMJiDxFpFvWVhuRB0MSEvLmhNq0xLbrxETo/s1600/Com.Update+both.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGnqyCy-2hyphenhyphen28E4beDvhWg8wzWgNbNsFr3rgfZrSNI0EsZ2CNoEbGOx5XGrpOgFFI87geIvug0g3jEaYlGiJ-Yk-U38zHtfbTixSFMvbdFx9jbq_R0ycWWh9-P4jDEJpfdV7C5or_98n0/s1600/Com.Update+both.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><br /><div><embed align="middle" flashvars="cy=bb&il=1&channel=216172782134806958&site=widget-ae.slide.com" name="flashticker" quality="high" salign="l" scale="noscale" src="http://widget-ae.slide.com/widgets/slideticker.swf" style="height: 320px; width: 400px;" type="application/x-shockwave-flash" wmode="transparent"></embed><br /><div style="text-align: left; width: 400px;"><a href="http://www.slide.com/pivot?cy=bb&at=un&id=216172782134806958&map=1" target="_blank"><img border="0" ismap="ismap" src="http://widget-ae.slide.com/p1/216172782134806958/bb_t017_v000_s0un_f00/images/xslide1.gif" /></a> <a href="http://www.slide.com/pivot?cy=bb&at=un&id=216172782134806958&map=2" target="_blank"><img border="0" ismap="ismap" src="http://widget-ae.slide.com/p2/216172782134806958/bb_t017_v000_s0un_f00/images/xslide2.gif" /></a> </div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-60838812593742388302011-04-03T04:43:00.006-04:002011-04-10T21:52:53.070-04:00C-Update 1980 [January-April Series]<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio5Y3psPl2ozGGmPgQgjlyaMj98i5EH9R3ruZw3p6C1y90mnWQunrKsHA4p5YfD9Ga-KGWrMjla3gMFYmaopo_hpeM-uIZjCL0RICp_5tSd_i7jgeNo7qWJ2S1cbkRO06_qzqH-eCLSLY/s1600/0017.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio5Y3psPl2ozGGmPgQgjlyaMj98i5EH9R3ruZw3p6C1y90mnWQunrKsHA4p5YfD9Ga-KGWrMjla3gMFYmaopo_hpeM-uIZjCL0RICp_5tSd_i7jgeNo7qWJ2S1cbkRO06_qzqH-eCLSLY/s400/0017.jpg" width="248" /></a></div><br />
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<embed align="middle" flashvars="cy=lt&il=1&channel=216172782134806830&site=widget-2e.slide.com" name="flashticker" quality="high" salign="l" scale="noscale" src="http://widget-2e.slide.com/widgets/slideticker.swf" style="height: 320px; width: 426px;" type="application/x-shockwave-flash" wmode="transparent"></embed><br />
<div style="text-align: left; width: 426px;"><a href="http://www.slide.com/pivot?cy=lt&at=un&id=216172782134806830&map=1" target="_blank"><img border="0" ismap="ismap" src="http://widget-2e.slide.com/p1/216172782134806830/lt_t017_v000_s0un_f00/images/xslide1.gif" /></a> <a href="http://www.slide.com/pivot?cy=lt&at=un&id=216172782134806830&map=2" target="_blank"><img border="0" ismap="ismap" src="http://widget-2e.slide.com/p2/216172782134806830/lt_t017_v000_s0un_f00/images/xslide2.gif" /></a> </div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-16467213921668529832011-04-02T23:37:00.000-04:002013-08-09T23:34:38.743-04:00The Tools<div style="font-family: "Courier New",Courier,monospace;">
<b><span class="Apple-style-span" style="font-size: large;">In the mid-seventies, around 1976 (exact date TK) </span></b><b><span class="Apple-style-span" style="font-size: large;">the Sony color portapak became available. Artists </span></b><b><span class="Apple-style-span" style="font-size: large;">could submit project proposals to local TV stations </span></b><b><span class="Apple-style-span" style="font-size: large;">such as WXXI in Rochester and if blessed take </span></b><b><span class="Apple-style-span" style="font-size: large;">out a Sony 1600 camera and portable deck for </span></b><b><span class="Apple-style-span" style="font-size: large;">a few days, maybe up <span style="font-family: "Courier New",Courier,monospace;">to a week.</span> <span style="font-family: "Courier New",Courier,monospace;">This was quite a </span></span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">trek for New York City artists and I remember </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">lugging the equipment over 6-foot banks of snow.</span></b></div>
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<b><span style="font-family: "Courier New",Courier,monospace; font-size: large;"> As a more practical alternative we formed a video </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">coop to purchase production equipment; a color </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">camera portapak, microphone, fluid head tripod, </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">battery belt. The coop included full shares </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">and half shares, and most of the coop members </span></b><b><span class="Apple-style-span" style="font-size: large;"><span style="font-family: "Courier New",Courier,monospace;">contributed</span> <span style="font-family: "Courier New",Courier,monospace;">to the weekly series, often working </span></span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">on each other's shows, either on location, in a </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">make-shift studio we had set up on the ground floor </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">of 93 Grand Street in SoHo (former HQ for Avalanche </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">magazine) or sometimes with Jim Chladek at </span></b><b><span style="font-family: "Courier New",Courier,monospace; font-size: large;">Manhattan Cable's live studio at 120 East 23rd Street.</span></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpCc63xmHmemiKVJyAK3s045MM84min4iIW7MAV6-vw6jUw1r15yojnSgzmuKDedDE1ISDbfbq4kxHoepgUW1KKEJmmZ_dQaQ3Wnmo2yRFXgye8jDz2B7z0BUZqPRmy9oXgCv4SVv8YfI/s1600/ProdCoop_MembersB.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpCc63xmHmemiKVJyAK3s045MM84min4iIW7MAV6-vw6jUw1r15yojnSgzmuKDedDE1ISDbfbq4kxHoepgUW1KKEJmmZ_dQaQ3Wnmo2yRFXgye8jDz2B7z0BUZqPRmy9oXgCv4SVv8YfI/s640/ProdCoop_MembersB.jpg" width="492" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Production Coop Members</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSzVlQ0bnv2LaW6rCssclpoaAYCsUVuMBnRtuuw35RQpoudpGdY6PzeECm5EAn-7_dMSjrXSaGyiuxAPcaCLS896uFYxcQINeWF4MLhevfHFtUH8Xiz1vqk9GC-m9d0iDSGvgs0RE2P5w/s1600/ProdCoop_Expenses.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSzVlQ0bnv2LaW6rCssclpoaAYCsUVuMBnRtuuw35RQpoudpGdY6PzeECm5EAn-7_dMSjrXSaGyiuxAPcaCLS896uFYxcQINeWF4MLhevfHFtUH8Xiz1vqk9GC-m9d0iDSGvgs0RE2P5w/s640/ProdCoop_Expenses.jpg" width="391" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Production Coop Expenses</td></tr>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1972838472628059598.post-65097774990129601732011-04-02T23:05:00.002-04:002011-04-10T23:38:55.124-04:001983: C-UPDATE RENAMED CAST IRON TV<div style="background-color: white; color: white; font-family: "Courier New",Courier,monospace;"><b><span style="color: black;">As </span><span style="color: black;">the number of artist producers expanded, so did the style </span></b><br />
<div style="color: black;"><b>and subject matter of the shows, which ranged from political documentary to satire. The schedule itself gives a better idea of the wide range of formats, as unique as the artists who produced them. In 1983, Communications Update was renamed to reflect that change. </b></div></div><div style="background-color: white; color: black; font-family: "Courier New",Courier,monospace;"><b>Ironically, although the new name, Cast Iron TV, clearly <span style="background-color: #444444;"></span></b><br />
<b>identified an architectural neighborhood in lower Manhattan,</b><br />
<b>the outlook or program scope didn't limit itself to SoHo. Nor </b><br />
<b>did the producers who weren't all based in New York. For instance, Janet Densmore's <i>The Algiers Killings</i> explored the murders of African-Americans as retribution for a slain cop in the Algiers neighborhood of New Orleans. Video artists Sonja Ivekovic and Dalibor Martinis produced two programs on <i>Zagreb Video.</i></b></div><div style="color: #eeeeee;"><br />
</div>Unknownnoreply@blogger.com